• Works on Paper
  • Montez Press : Telepathic Movie & The Brain's Auditorium
  • __________________
  • __________________
  • 2023 Wipers (solo exhibition)
  • 2022 Tronome (performance)
  • Notes2Self
  • __________________
  • 2022 Puccini's Fire 1 (sculptural performance)
  • Some Photographs
  • 2022 Operazione Cospirazione (performance)
  • 2022 Telepathic Movie ch. 1 (radio broadcast)
  • Performing Arts
  • 2021 DIRECTO (performance)
  • 2020 Acceptance Speech (performance)
  • 2019 Prologo di Portia (performance)
  • CV/Recent Portfolio
  • Irina Jasnowski Pascual
  • 2021 Sonic Prolapse (solo exhibition)
  • 2018 Set Ups: Lighting For Figure Dangling Over Void (solo exhibition)
  • Select Group Shows
  • __________________
  • Some Drawings
  • Some Sculptures
  • Crude Tapes Mixtape 007
  • 2021 Mystical Movie (video)
  • Public Access Television Episodes
  • Closed Caption Book Series
  • __________________
  • About / Contact
Irina Jasnowski Pascual
__________________
2023 Wipers (solo exhibition)
2022 Tronome (performance)
2022 Puccini's Fire 1 (sculptural performance)
2022 Operazione Cospirazione (performance)
2022 Telepathic Movie ch. 1 (radio broadcast)
2021 Mystical Movie (video)
2021 DIRECTO (performance)
2021 Sonic Prolapse (solo exhibition)
2020 Acceptance Speech (performance)
2019 Prologo di Portia (performance)
2018 Set Ups: Lighting For Figure Dangling Over Void (solo exhibition)
__________________
Montez Press : Telepathic Movie & The Brain's Auditorium
Public Access Television Episodes
Closed Caption Book Series
Notes2Self
Crude Tapes Mixtape 007
About / Contact
CV/Recent Portfolio
Works on Paper
__________________
Select Group Shows
__________________
Some Drawings
Some Photographs
Some Sculptures
__________________
Performing Arts
Open this link as a New Tab to listen to the AUDIO as you scroll


Irina Jasnowski Pascual, Harald Thys & Jos de Gruyter welcome you to the terrace, a life-sized mechanized music box featuring performers for your pleasure. Become the fortuned aristocrats from a few centuries ago, who loved to be amused from time to time by performers like opera singers, violin players and actors to enlighten their evenings.


A sculptural performance presenting sculptures as actors, actors as sculptures, audience as extras and sculptures.

Written and directed by Irina Jasnowski Pascual in dialogue with Harald Thys and Jos de Gruyter. 


The cast consists of seven performers, three opera singers (two inside pedestals, one seated amongst the audience) three receivers (performers equipped with microphones) and one camera person.

The receivers push the two Pedestal Singers in space while choosing what to amplify. Alongside the human actors are two sculptures by Harald Thys and Jos de Gruyter from their 2019 Venice Biennale pavillion, Mondo Cane  alongside a group of  sculptures resembling a ventriloquist and two singers by Irina JP.

The main sonic components of the work are acapella versions of a Montiverdi duet and a Bach choral piece, three unsyncopated metronomes and live sound transmitted through the three miked performers. 

One performer wears a lavaliere headset through which she transmits guttural bodily sounds (breath, hiccup, grunts etc), the Pregnant performer has a contact microphone on her hand through which she transmits close-up sounds of the set (electric fans, clothing rubbing, opening soda cans and eating chips) and the third is equipped with a Boom Microphone with which he combs the space for sound,  allowing audience to experience the Doppler effect of his movement in proximity to the singers.

The script consists of 4 scenes that were executed within 30-40 minutes. The performance was active, looping from 2-5 pm with 15 minute breaks every hour.


Produced by Vonk Studios as part of Performa 5 (June 18, 2022) Festival in C-Mine, Genk

Video and Audio documentation available upon request.


by Jos de Gruyter and Harald Thys
view from seated audience -  photo by Stefke
Open this link as a New Tab to listen to the AUDIO as you scroll


Irina Jasnowski Pascual, Harald Thys & Jos de Gruyter welcome you to the terrace, a life-sized mechanized music box featuring performers for your pleasure. Become the fortuned aristocrats from a few centuries ago, who loved to be amused from time to time by performers like opera singers, violin players and actors to enlighten their evenings.


A sculptural performance presenting sculptures as actors, actors as sculptures, audience as extras and sculptures.

Written and directed by Irina Jasnowski Pascual in dialogue with Harald Thys and Jos de Gruyter. 


The cast consists of seven performers, three opera singers (two inside pedestals, one seated amongst the audience) three receivers (performers equipped with microphones) and one camera person.

The receivers push the two Pedestal Singers in space while choosing what to amplify. Alongside the human actors are two sculptures by Harald Thys and Jos de Gruyter from their 2019 Venice Biennale pavillion, Mondo Cane  alongside a group of  sculptures resembling a ventriloquist and two singers by Irina JP.

The main sonic components of the work are acapella versions of a Montiverdi duet and a Bach choral piece, three unsyncopated metronomes and live sound transmitted through the three miked performers. 

One performer wears a lavaliere headset through which she transmits guttural bodily sounds (breath, hiccup, grunts etc), the Pregnant performer has a contact microphone on her hand through which she transmits close-up sounds of the set (electric fans, clothing rubbing, opening soda cans and eating chips) and the third is equipped with a Boom Microphone with which he combs the space for sound,  allowing audience to experience the Doppler effect of his movement in proximity to the singers.

The script consists of 4 scenes that were executed within 30-40 minutes. The performance was active, looping from 2-5 pm with 15 minute breaks every hour.


Produced by Vonk Studios as part of Performa 5 (June 18, 2022) Festival in C-Mine, Genk

Video and Audio documentation available upon request.


by Jos de Gruyter and Harald Thys
view from seated audience -  photo by Stefke